Papers on-file have been reduced to just $9.95/pg
WITH A FREE BIBLIOGRAPHY !!! Select any paper below!:

Homer's 'Odyssey' and James Joyce's 'Ulysses' as Epics
[ send me this paper ]
An eight page paper discussing how these two very different works can be both classified as epics. The paper defines the term epic and shows how both works define the character of a nation. Bibliography lists six sources.
Filename: KBulyss.wps

Easier to Move: Confrontations in 'Bartleby' and 'Soldier's Home'
[ send me this paper ]
a 5 page paper comparing Harold Krebs in Hemingway's 'Soldier's Home' with the narrator of 'Bartleby the Scrivener' by Herman Melville. The paper concludes that both these characters have a difficult time risking confrontation, and, despite the fact that one character is a soldier returned from the front and the other a successful lawyer, neither is secure enough to risk a confrontation that could be uncomfortable, painful, or guilt-inducing. Bibliography lists the two primary sources.
Filename: Barthome.wps

Victimization in Wieland, Redburn, and Uncle Tom's Cabin
[ send me this paper ]
A 6 page paper discussing these three novels by Charles Brockton Brown, Herman Melville, and Harriet Beecher Stowe. The paper concludes that in each of these novels, the characters had a choice about whether or not they intended to be a victim -- and for better or worse, the choice transformed their lives forever. Bibliography lists the three books as sources.
Filename: Wieland.wps

Wagner’s Interpretation of O’Keeffe, Hesse, and Krasner
[ send me this paper ]
A 15 page paper analyzing the issues raised by Anne Middleton Wagner’s Three Artists (Three Women) : Modernism and the Art of Hesse, Krasner, and O’Keeffe. The paper shows how Wagner, through a comparison of the lives of Eva Hesse, Lee Krasner, and Georgia O’Keeffe, convincingly presents the female artist’s plight in forging an artistic identity of her own. Bibliography lists ten sources.
Filename: KBartist.wps

Sexuality and Women's Self-Determination in Four Classic Literary Works
[ send me this paper ]
A 9 page paper showing the connection between these two issues, as demonstrated in the works of Aristophanes, Plato, Dante, and Shakespeare (Lysistrata, The Apology, The Inferno, and The Tempest, respectively). The paper asserts that Western literature first mocked or dismissed the sexual expression of female self-determination, later turned it into a sin, and finally transformed it into a social gaffe, but until recently still continued to maintain that its suppression was not wrong. Bibliography lists five sources.
Filename: 4litwor.rtf

The Quest and the Hero in Homer, Dante, and Cervantes
[ send me this paper ]
A five page paper analyzing the significance of these motifs in “The Odyssey,” “The Inferno,” and “Don Quixote.” The paper concludes that each hero, through his quest, has brought back to his society a dose of precisely the medicine it needs. Bibliography lists two sources.
Filename: KBquest.wps

Plot in Ibsen’s “A Doll’s House” and Glaspell’s “Trifles”
[ send me this paper ]
A five page paper analyzing the way the plots of these two works support a feminist argument, with and without explicit rhetoric. The paper asserts that the conclusions reached in each play are inevitable, given the way the plot was structured to produce them. No additional sources.
Filename: KBglasp.wps

Anti-Feminism In Five Tales
[ send me this paper ]
A 5 page paper that reviews Sir Gawain, Wife of Bath (Chaucer), Hamlet and Much Ado About Nothing in light of the anti-feminine treatment of its women characters. The writer argues that fear of the feminine in these tales leads to the necessity for control of the feminine. Bibliography lists four sources.
Filename: Antifem3.wps

Violence & Gender In Two Short Plays
[ send me this paper ]
A 7 page paper comparing Eugene O'Neill's Before Breakfast and Susan Glaspell's Trifles. The paper notes that in each play two violently different mindsets come crashing together, and the conflicts are based on gender-specific ways of seeing the world. No additional sources cited.
Filename: Breakf.wps

Anaya & Garcia Marquez / Magic Realism In Their Works
[ send me this paper ]
A 6 page paper looking at this unusual literary genre as exemplified by Rudolfo's Bless Me, Ultima, and Gabriel Garcia Marquez' One Hundred Years of Solitude. The paper points out that magical realism criticizes the traditional views of reality, depicting them as deficient, and it is therefore a political and sociological tool. Bibliography lists 3 sources.
Filename: Anyamarq.wps

Buchner And Koestler: The Tides Of Revolution
[ send me this paper ]
Georg Buchner's play on the French Revolution, Danton's Death, and Arthur Koestler's novel, Darkness at Noon, both portray the consequences of opposing a popular revolution. This 5 page essay explores the similarities and differences between the French and Bolshevik Revolutions in light of these two literary works. No additional sources are listed.
Filename: KTdanton.wps

Art For Life's Sake
[ send me this paper ]
A 7 page essay discussing the difference between art written for art's sake and art written for life's sake. It particularly discusses Flaubert, Ibsen, Dostoevsky and Yeats, and examines how each of these authors fit into the Romantic tradition of the artist as both spokesperson and iconoclast, and how each of these works discussed represent art created for life's sake. Bibliography lists seven sources.
Filename: Artlife.wps

Satire and the Enlightenment in Swift and Voltaire
[ send me this paper ]
A five page paper looking at the way these two writers satirize the philosophies of the Enlightenment and their eighteenth-century world. The paper concludes that Swift epitomized the idea that if we all really operated logically, our minds would be in tune with our hearts and we would be compelled by conscience to reform the world accordingly. Voltaire, however, does not reflect any real hope that logic and reason are the answers to humanity's woes. Bibliography lists four sources.
Filename: KBsatir2.wps

Wuthering Heights / Pride & Prejudice
[ send me this paper ]
6 pages in length. The differences between the love affairs of Catherine and Heathcliff in Emily Bronte's Wuthering Heights, and Darcy and Elizabeth, the characters from Jane Austen's Pride and Prejudice are grand and far-reaching. To compare and contrast the way in which these two couples fell in love is to demonstrate the contrarieties between a spontaneous, smoldering romance and one that is born initially out of contempt and antagonism. The writer discusses these differences, as well as draws a conclusion on their ability to represent the passage of love. Bibliography lists 2 sources.
Filename: Wutherh.rtf